As of 11.15, the site is under construction, things are wacky, hope to be fully live by 11.18. Thanks!
Free syntaxicon!
My Multi-Touch ebook with poetry, photography, music, and voice, publicly available in the Apple Bookstore, is no longer available for sale. Instead, moving forward, I am offering syntaxicon as a free PDF version comprised of original text and image. Please access syntaxicon here for download today, and enjoy. Thank you.
Famously Yours…
I’m not entirely sure as to why I feel the need to post this publicly, though feel it may be cathartic somewhat privately. Regardless, I am posting in public for the fun of it. It’s a partial list of famous people that I have met over the years, in various situations, whether serving, talking, working, or just partying with them. It’s been a magical ride. FWIW, some great nightclubs that I’ve been to include Studio 54, Studio One, Circus Disco, clubs in Munich and Jerusalem, among others. I was a non-union actor and character model for a number of years. Good times!
John Adams. Composer.
Keith Barish. Producer.
John Berendt. Author.
Beau Bridges. Actor.
Tony Danza. Actor.
Richard Deacon. Actor.
Bucky Dent. Baseball Player, NY Yankees.
Divine. Actress.
Eileen Ford. Founder, Ford Models.
Rudolf “Rudi” Gernreich, Fashion Designer.
Nancy Honeytree. Musician.
Ron Huldai. Mayor, Tel Aviv.
Garrison Keillor. Author.
Valerie Landsburg. Actress.
Edith Massey. Actress.
Willie Nelson. Singer.
Twila Paris. Singer.
Lester Persky. Producer.
Suzanne Pleshette. Actress.
Robert Rauschenberg. Artist.
Craig Russell. Performer.
Mimi Sheraton. Food Critic, NY Times.
Edwin Starr. Singer.
Stephen Stucker. Actor.
Rip Torn. Actor.
Abe Vigoda. Actor.
Andy Warhol. Artist.
John Waters. Filmmaker.
LeRoy Zimmerman. Attorney General, Pennsylvania.
Church of the Angry Culture Warriors
Do not let the sun go down on your anger.
– Ephesians 4:28b
On February 26, 2023, I attended church.
The only one masked, the service was at a neighborhood Baptist church I had attended several years ago. A relatively humble structure, I was looking forward to basking that Sunday morning in the warm glow of the high yellow glass windows that lined the sanctuary. They were gone.
How close is the anger-hate connection? When Jesus overturned the moneychanger tables in the temple he was full of righteous indignation; a holy anger, if you will, anger at the sacrilege he hated to see take place there. Righteous anger and hatred of evil. They go together. When do they separate or go their own ways, or would that be never? What about the evil in anger?
Not being from the South, here I raise my voice, and gentile Georgians think it’s anger; but it’s not, it’s drama. Personally, I’m not prone to anger, but thinking back to when I last might have been angry, even mildly. It was about a month ago, waiting in a Greek restaurant. But I wasn’t angry, I was irate. I told the clerk that I no longer wanted the order, that I wanted my money back, and that I was irate. She did her best to placate things, and I thanked her calmly and left.
When I was a young man, I worked one brief season at Robinsons in Beverly Hills. I remember trying to calm down a hysterical woman returning something at the register. My manager came up to me and said, She’s irate, I’ll handle it. He then worked his guest service magic while I was left to ponder the higher level of interaction that was underway due to that single word: irate.
Of course, irate isn’t just angry, it’s very angry. As so, it calls for special measures. Ironically, irate people are upset that they have been driven to the point of ire. In other words, they may not have been angry in any sense when they walked in the door; quite conversely, I was very pleasant when I was in the restaurant. My favorite food, Mediterranean, a rather intellectual chat with a man who was likely a returned soldier as he knew Serbia well enough to comment on its cuisine, and an elderly man who chatted with me about why I had an SLR camera around my neck, he and his wife were curious. I was far from irate or even mildly angry. What happened?
There was no one ahead of me when I ordered. I was feeling good enough to tip the cashier over $3 for an order under $20. All she had to do was ring me up. Then the madness started.
A cougher came in. I was masked and rather sedentary. He was masked and all over the place. Coughing on everything and around everyone. Not a gentle cough, but a deep, throaty, I’m-carrying-something-and-it-won’t-let-go kind of cough. Incessant. He was sick. I tried standing off to one side, he took that as a challenge and weaseled his way around to me eventually. Meanwhile, no food. He ordered boxes of pastries, was tended to hand and foot, coughing and ordering, and being bagged and rung up. While I waited. And waited. Well over twenty minutes? Ordered when there was no one there. No word on it. Nothing. Invisible. That is, until irate.
I told the cashier I changed my mind. She had to call her boss to walk her through how to return a purchase. The cougher roamed and did his thing. But suddenly pleasing me became the main activity, if for no other reason than to get me out. I didn’t create a scene. Just emphatically told the cashier that I was irate, in need of instant resolution. After some spinning wheels and phone commands, it came. I left, vowed to never return, it was that awful an experience. And I won’t.
And yes, there was hate. I didn’t hate the cashier or the cooks who bungled the order. I wish I could say that I only hated the dread experience. But that would be lying. I hated the cougher. I hated the power he had over the situation that turned my pleasant afternoon into a nightmare. I hated the insolence he had to move about freely, masked, as if the world would just have to endure. I hated his sneakiness, his way of ensuring he connected with everyone despising him. Because he knew what he was doing. He was stirring a pot. Pushing all the buttons. However one might phrase it, he was being evil. Deliberately. Possessively. I hated him. His very being.
Was I hating evil? Not that it ever came to mind. It isn’t even until now as I write these passages that I have given thought to hating someone. I’m a lover, not a hater. Yet, there I was, hating the loss of a tasty meal I had my hopes on, all the wasted time I had spent there waiting to no avail, and that I had been driven to ire. It was wrong for me to hate someone because they provoked me to anger. God wants to show me that they are not the problem, I am, despite their behavior. He died for that cougher. I’m to strive to love him in spite of his rebellious nature.
I don’t take lightly to anger creeping into my life. It comes, as it must to us all. But, being of Irish and Italian descent, I have had to work in my life to ensure anger takes its rightful place, that being not over me. It has worked, with the grace of God. It seems, once you recognize it, and the Word of God that says to keep it at bay, obedience leads to habit, which leads to lifestyle. Nonetheless, there is the root of it. I hated him for making me irate, causing me to hate myself for letting anger creep in the way it did and causing me to adjust my behavior. Yet, staying calm and composed to protect myself. I was able to walk away from my anger moment. What about perpetual anger?
The pastor is a young man, quite a pleasure to be around, bright and erudite. He wants to do the right thing. He plays the drums for the worship team, then gives a sermon. His style is conversational, open, friendly, but firm. The congregation lets out a subdued, occasional amen or two here or there over the course of at least an hour. There are less than 40 people spread throughout. He gets an amen out of me when he makes a reference to contemporary idolatries. But there’s one pivotal moment in his discourse that jumped out at me that afternoon.
Not leaning political, or bashing any specific group, somewhere in the middle of the sermon, the pastor makes a definitive reinforcing statement connected to the need to sustain, for winning a culture war. Then, and only then, a brief series of loud connected grunts and groans and amens. None before that moment, none thereafter. I wondered what had happened at that moment. And then I realized.
The message fed the church’s anger. Finally. It was the Fox News moment they were all paying for. It was why they were in church, in this particular church. They didn’t need it all the time. They just needed that one swift Sunday kick at The Other to reassure themselves that their anger is justified. Hey, it’s fed by the pastor. And all Hell break loose if these warriors weren’t going to go back to their televisions thankful for the angry opportunity to worship a God of culture wars on Sunday. Despite the fact that Jesus embraced his God-given culture, and expects us to do the same.
Society Is Not Free…
…And Will Never Again Be Free
We’ve lost a core human freedom: the right to freely move about in society. While it may seem like we are still quite able to go where we wish without disruption, due to mass surveillance, including what is becoming ubiquitous facial recognition, we have lost the freedom to move about without trepidation. For those persons who would argue that as long as you aren’t doing anything wrong, you have nothing to worry about, the reality is that now one must be aware of one’s behavior at all times in a way that may call for modification as a means of protection. That means law-abiding citizens are no longer free to move about in society in unabashed freedom.
This behavior modification option attached to loss of the crucial freedom to move about in society without hindrance stretches into our rights to other freedoms afforded democracies. We must consider our online options, our speech, our presence in society in new ways that have slowly become customary in some ways without revealing their awful, tentacled roots. The term ‘we’ does not apply to the tech and government elites who are behind software and hardware surveillance, of course. They are, in a sense, immune, watching each other’s backs while they snatch and record everyone else’s activities. Who would call their inconsistencies and hypocrisies into question, when it is they themselves who control the primary databases?
Some would argue that there is still time to save us from this Orwellian nightmare. But that’s simply not true. Even the most astute politician is running so far behind a technological advancement posited in permanence by largely unregulated corporations and rogue entities that there is simply no way to catch up. By the time policy and regulation come into play, it can only be done to some benefit of the entity already deploying the sophisticated invasive technologies. One can argue that the latest ruling in Illinois on biometrics and privacy is a step forward, and it is, of course. But, apart from still being too little too late, it is Illinois, not the United States. And it is a singular case, regardless of how much of its consequences spill out into the legal sphere. It can’t, and won’t, decide everything related to biometrics abuse, the vast number of instances we would likely not even know about because exposing and fighting them in courts is so daunting.
Gone are the days when we could go online without concern over what we do there. We’re not talking illegality, but simple innocent clicks and transactions that are recorded and dumped serendipitously into the permanent archive. Actions that for average netizens cannot be undone. While Europe has done what is can to date with its Right To Be Forgotten, it is not a perfect schematic, and is subject to so much discretionary response that it can be hailed only as a mere attempt. Of course, that is better than nothing in some ways. It shines a light on a critical issue.
And that’s our problem. This brief essay shines a brief light. It does nothing more. While it may spark response, most likely it is in discourse alone, not effectual policy and regulation. Even were it to be believed, and in the hands of those persons capable of interfering for the benefit of society moving forward, its limits in the vast sea of never-ending data aren’t going to change anything. We’ve lost our freedom to navigate through life without circumspect, and at times paranoid, steps we must take to protect ourselves. And this lost freedom is an essence of our very being.
Forgetting Vivian Maier
Vivian Maier is dead. And that’s our problem.
The sometimes gorgeous biopic, Finding Vivian Maier, brings the mysterious and secretive creative genius who chose to live out her life in obscurity back to life, and throws her unwittingly under the train. While stabbing wildly at her eccentricities, in the guise of celebrating her talent posthumously, the film takes Miss Maier exactly where she never wanted to go: to that merciless place where she would be forced to defend herself under the cruel stigmatizing microscope of a sensational mass media machine.
Maier lived her adult life as a nanny, dedicated to the children in her care, and as a curious ethnographer, dedicated to her love of cameras and their photographs, the art of street photography, and people. She lived when photography was expensive as an art, yet she did what she could to financially produce what she did; and, it was all for her personal pleasure, not for fame or recognition, which would have been hers, we all now know. But here’s her problem.
We live in a disposable world. Most people throw things out after use. Maier saved things after use, she saved what touched the moment, she collected the ephemera. Maier was a collector of life’s odd bits and pieces: junk, even trash, to anyone else, though precious to her life story. Genius does this. Winston Churchill saved his grocery receipts. In his 900-odd pages, abridged, Memoirs of the Second World War, we see why: it’s who he was. Collected receipts, even kitsch, can be valuable visual markers for brilliant, busy people. They can be time snapshots, revisited, mulled over again and again, research resources, rather than be seen as mere junk lost to the disposable archive. It’s how and why we cherish photographs. We need look no further than eBay to see how the disposable may hold personal, lasting value.
Why Maier never sought fame is intertwined with her obsession with news: her business and no one else’s. The film suggests, strongly, that Maier had a fascination with the macabre, the cruelties of mankind. It highlights salacious headlines from newspapers she saved, select texts, as possible evidence. Even though she saved piles and piles of newspapers with all kinds of texts — and images. And that is why Vivian Maier now has a problem, caught up in a form of legitimate, out of balance, socially justifiable muckraking. An example of what can happen should your vast volume of personal belongings somehow go to auction after your death and end up in the hands of a sincere yet naive buyer. They’re not buried with you, but are forced to stay alive, fed by a permanent life support system that you never approved.
Maier was all about the camera, the lens, the visual rhetoric. She reserved her interest in text for her audio cassettes. She didn’t save newspapers for their texts. She saved them for their images. Vivian Maier had a photojournalism bug and for reasons she took to the grave, never chose to pursue such a career. This film never suggests that motive, missing the forest for the trees, painting Maier as sinister, at times, with a secret ‘dark side.’ Well, we all do. That’s a major flaw in the film, not a balance, and an insult to the dead. Along with its presumption that a life worth living must naturally seek fame. The spectacle is incomplete without its endless sea of gawkers and grave robbers. Despite the prestigious gallery exhibitions of Maier’s photographs around the world, they remain hers, personally, and can never be rightfully ours. And alive, neither Maier nor her art could be bought.
Vivian Maier cannot be forgotten. Only grossly misunderstood in death as, undoubtedly, she was in life. This unsolicited film depicting select, novel elements of Maier’s deliberately private life, trying to piece her being together as a puzzle for now eight billion people to solve, must come up short. Yet that’s no reason why it should continue its mission; actually, it’s exploitation of a human subject unable to contest its relentless dissection of her being. No human being’s complex life can be fairly reduced to conjecture, let alone a damning, grasping for straws rooted in a finders, keepers careless mentality.
I have well over 100,000 personal photographs that I have taken over the years, reminders of where I was and when, some occupationally, some to share, others often a reflection of the moment for me to return to, at my leisure. Please don’t tell me that I must destroy them all before I die in order to keep them out of the hands of some grubby picker or curious thrifter who finds them, and is able to globally exploit them en masse for profit and visibility in a way that I may have never intended or pursued. They are mine, my memories, my moments; and if not bought from or given by me, never meant to be anyone else’s. As beautiful, haunting, and important the resurrection of the life and art of Vivian Maier in Finding Vivian Maier may seem to be, the matter cannot be denied its questionable place in the sacred realms of sanctity of human life, personal privacy, and dignity in death, all denied Vivian Maier in the end.
Vivian Maier is an excellent example why Europe acknowledges a Right To Be Forgotten. Were she able to speak from the grave, this remarkably talented, creative genius who lovingly cared for children not her own and who captured the momentous events of her camera’s rhetorical interactions with ordinary people on film day after day, might protest now being flaunted, profitably at that, on the world stage. Something which she never knowingly pursued or acknowledged wanting in this life. All while being permanently denied her basic human right to be forgotten, albeit in a digital age; seemingly, having lived her beautiful, dignified life ultimately as quietly, cautiously, and creatively as possible, with that sole intent.
The Twitter-Neuralink Connection Prospect
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Fine Art Transitions
Wanted to turn part of my Florida Room into a studio after stumbling on art I created in 1990, my Reactor piece, while managing the Radiation Department office at Three Mile Island. Having fun merging my photographer’s eye and passion for fractals into the world of abstract expressionist acrylic painting since July. Artist Wayne Chambers threw some art materials my way, and, Voila! Below are some cropped canvas sample selections, in rough chronological order of their creation, beginning with my first painting: Potter’s Field. NOTE: This post updates with new art creations added.
Sometimes, your greatest inspiration will come through encouragement from people who believe in you; but, you cannot rely on that for your artistic growth, because when their deafening silence comes, and it will, at the end of the day, you must commit your talent and its direction to God and yourself, not to the varied, contrary opinions of others less invested than you. Nonetheless, it’s all still going strong here. Remember to rest, reflect, revise, repeat, and then rest.
As far as any argument or contention that oils are superior to acrylics because that’s what the Masters used, reality is, oils are all that the master painters had available in their day and age. If acrylics were available to them, many would have chosen them. Because of the many similarities between oils and acrylics, great painters in acrylics are likely to be great painters in oils, also.
Despite the paintings’ apparent lack of cohesion to the uneducated eye, these artists cultivated the interplay of skill and unplanned occurrences to determine the painting’s final outcome.
Comment on Abstract Expressionists at thoughtco.com
‘Sold’ a modified print of Potter’s Field on Day One. Here it is, owner-framed.
So, happy with this new direction. Stay tuned for more…
Oh, and here’s a digital copy of Reactor. Original work is believed to be lost.